Pg. 3 | WHAT QUIET OFFERS WHEN REPRESENTATION ISN'T ENOUGH
SARAH CARGILL on navigating colonial impulses and representation in classical music
Pg. 6 | BREATHING THE LENS
EMILY COATES on dance as endangered language, and one way of preserving it
Pg. 11 | CIRCUS TRANSLATIONS
COLIN GEE on moving beyond traditional circus and physical theater foundations
Pg. 14 | TEACH ME TO SAY I LOVE YOU
SASHA LAPOINTE on language and how it resists, survives, succumbs
Pg. 16 | THE MAP OF FORM
AUGUSTA READ THOMAS on the illuminated manuscripts she creates as part of her process
Pg. 18 | INTERCESSION
JESSICA LYNNE on prayer and Julius Eastman
Pg. 20 | PUBLICATION, SOLITUDE, PERFORMANCE
KARINNE KEITHLEY SYERS on the two-way street between pages and stages
Pg. 22 | GORGEOUSLY COMBATIVE
SORAYA NADIA MCDONALD in conversation with ANNE BOGART, CHARLES MEE, and ELIZABETH STREB
T H E 2 0 1 9 - 2 0 2 0 S E A S O N
CLAUDIA LA ROCCO, editor
